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, by Zhu Xiao-Mei
Download Ebook , by Zhu Xiao-Mei
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Product details
File Size: 982 KB
Print Length: 331 pages
Publisher: AmazonCrossing (March 6, 2012)
Publication Date: March 6, 2012
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B0076PGFYW
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Amazon Best Sellers Rank:
#120,652 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
This is a memoir of a Chinese classical pianist who grew up during the Cultural Revolution and later moved to the US and France. It is written in a simple and honest style. This is a very good reading for all musicians, people who love classical music, or people interested in China and/or communism, or even stories of immigrants. It covers enough of a human experience that it should be a satisfying reading to many.As the author is a pianist and this is not a detailed life memoir, the book is sometimes not as detailed as one would expect. For example, one feels that there are some prison experiences that she has no words to describe. I likes the fact that she didn't blame individuals too much. She certainly has had a fair share of bad experiences yet has never become bitter or cynical. Music was for her a huge help in life in the sense of healing, consolation and a source of hope. This is a remarkable book.
When one first thinks of pianist Zhu Xiao-Mei, those familiar with her works immediately jump to her exceptional interpretations and performances of J.S. Bach and the Goldberg Variations. Finding her autobiography, The Secret Piano: From Mao's Labor Camps to Bach's Goldberg Variations, was a pleasant surprise, yet autobiographies like this can sometimes be a disappointment to the reader. Happily this was not the case, as the author has presented her life in an interesting and fascinating chronological format, one that expresses the emotions that she felt along the way.Born in Shanghai into a creative middle-class family during those turbulent years following WW-II, her family moved to Beijing when she was very young. Her first encounter with the instrument that was to shape her life is movingly remembered in her own words:"I didn't know what it was, a piano. I was barely three years old, and I had never seen anything like it. I was fascinated. I wondered where it had come from, this object that spoke when you touched it. Strangely, my mother never played the piano. But every morning, she dusted it: her first act of housework. `Such dust! In Shanghai, there wasn't so much dust. Why did you bring me here?' she would add, turning towards my father."And that curiosity sets the pace for this book in which she takes us on a journey in which we witness first hand a side that is usually veiled to most Westerners. Learning the piano during those young years, she was a prodigy who played the piano in radio and television in Beijing when she was only eight, and at ten, she entered into the Beijing Conservatory of Music in a program for unusually gifted children.As a teenager her studies there were putting her on the path for a brilliant musical career, but that was stopped cold by Chairman Mao's Cultural Revolution. As it took hold, even music at the Conservatory faced the consequences of the time, as we witness through her eyes:"Everything was burning. Today it was the bodies; tomorrow it would be the spirit. I imagined the bonfire where the Red Guards were melting down our records and burning our scores...a thin veil of smoke lifted towards the sky. Bach, Mozart, and Beethoven vanished into the air. But in the end, the Red Guards were right: it had to be done. As Mao said: `The Revolution is not a dinner party. It is an act of violence by which one class overthrows another.'"Through her eyes we see her family split apart by forced relocations. We observe the five years she spent in a work camp in Mongolia, her own political indecisions, the sometimes painful memories, yet where despite many difficulties she managed to practice the piano in hiding... the Secret Piano.Zhu Xiao-Mei's story reads like a novel, with all of the color and dimension that keeps the reader glued to her words, page after page. She left the work camps in 1974, after being `assigned' there for five years. During her stay in Beijing, her life again changed as through her music she began to explore ways to get to America, a dream that she realized finally in February, 1980, thinking of Jonathan Livingston, "the seagull who wanted to fly higher than all the others."It was during her flight to Los Angeles that she learned of the Chinese philosopher Laozi, and this from an American woman, a teacher in a university. This was the profound beginning of a new philosophy for her, and one that with her music would help to guide her. Xiao-Mei's sojourn to California resulted in her living with friends and relatives and working menial jobs to survive. She went to the New England Conservatory in Boston to complete her music education, then beyond, dealing as she went with problems with her English pronunciation. She paints a sometimes witty picture of her experiences, such as a waitress job in Boston's red light district. It's a fascinating tour of what the US looks like to someone from China, and the adversities that one must overcome to just survive, right down to a marriage of convenience just to stay in the country.And in December 1984, Xiao-Mei's odyssey led her to Paris, starting over again, with a diploma from the New England Conservatory that meant little in France. Yet it was during a return trip to Boston that she truly blossomed with her first attempts to tackle what she became so well known for: her interpretations of the Goldberg Variations by J.S. Bach, the musical encounter of her life:"Buddhists always depict Buddha smiling. There are always two aspects to everything, to every being. There is no single truth--everything depends on the way in which one wants to see reality. That is life, and that is the Goldberg Variations. Through it, I also now understand why polyphony, Bach's in particular, affects me more deeply than any other type of music. By means of its various voices, it alone is capable of simultaneously expressing multiple and contradictory emotions, without one necessarily taking precedence over another."And Xiao-Mei lives those words, as can be heard in her J.S. Bach: Variations Goldberg. She teaches at the Conservatoire National Supérieur de Musique in France, and has performed for appreciative audiences on six continents. She is one of the world's most renowned interpreters of Bach's "Goldberg Variations" as one can hear on this album.Zhu Xiao-Mei is also the inspiration behind and subject of Andre Leblanc's book for children, The Red Piano, a touching work of fiction in which a young girl stuck in a Chinese Cultural Revolution Camp where the Communist Party conducts "learning through labor and self-criticism."It's also worth mention that the translation was beautifully done by Ellen Hinsey, whose own works as a poet and author include The White Fire of Time. Her expertise shows through in this beautifully-formatted Kindle edition.This book is more than an autobiography; it's a moving story of the human spirit prevailing over incredible odds. It's highly recommended not just as a beautiful autobiography, but as a background to those who enjoy Xiao-Mei's interpretations of the Goldberg Variations.4/16/2012
This is author's personal story of her life-long love of music, how it was taken away from her during China's Cultural Revolution in the 1960s, and how she regained it through perseverance against incredible odds. In that regard, it's similar to many memoirs; however, that is where the similarity ends. Xiao-Mei structures her story with a beginning Aria, followed by 28 chapters reflecting different periods in her life, and ending with another Aria. In essence, the structure of her story reflects the 30-movement structure of Bach's "Goldberg Variations" that motivated her return to the piano after decades of being denied access to it. In addition to this intriguing structure, Xiao-Mei's language reflects the fluidity that makes classical piano music so entrancing. Somehow she manages to place more emphasis on those around her, while in the process revealing her own depth and character through her parallels between Chinese philosophy and classical music. Hers is a symphonic survival story that provides personal insight into China's Cultural Revolution, along with of bits of Chinese wisdom that remind the reader how universal music and philophy can be in our lives.
Zhu Xiao-Mei certainly has a fascinating story to tell, one which sets her love of classical piano against the backdrop of Mao's red China. The facts of her experiences in China are stark and difficult and her statements toward the end of the book that she will never find true happiness are a sad and eye-opening reminder of the way such situations linger long after a person is freed from them. Her descriptions of the propaganda, the brain-washing, the denunciations and self-criticisms that were a normal part of China at that time are fascinating in a dark kind of way, and I found myself reading quickly, wanting to know and understand more of what things were like.Unfortunately, the book does not do her story justice. Zhu Xiao-Mei may be a brilliant pianist but she is not a natural writer, and she could have used a good editor or ghost-writer. Sentences are short and choppy with no real flow from one to the next, which may be partly due to the translation. More disappointing, however, are all of the details omitted and the way the story seems to jump ahead randomly with no good explanation of how or why things happened as they did. For instance - how does she manage to smuggle a piano into a labor camp? How does her mother manage to survive many years after receiving a cancer diagnosis and a life-expectancy of less than a year? What came of her marriage? None of these things are explained, and entire years of her life(years in which many changes occurred) are summed up in a few brief sentences.It's a shame, because the story of her life is a fascinating one. I wish she had found somebody to help her do a better job of telling it.
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