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Dead Moon
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Audible Audiobook
Listening Length: 11 hours and 23 minutes
Program Type: Audiobook
Version: Unabridged
Publisher: Audible Studios
Audible.com Release Date: February 14, 2019
Language: English, English
ASIN: B07MLBS26H
Amazon Best Sellers Rank:
Big Cline fan here and loved this audio book. My wife and I marathoned it during a road trip over the 3 day weekend. If you are a fan of Ex-Heroes and the '14' series you will find more of the same here, with the twist being that this is in the future and on the moon. Clines has thought through his setting and just exploring the setting before the action starts was enjoyable. Once the action starts it is, in Clines fashion, non-stop and there are plenty of twists. Things did not go as I expected, which is a good thing.*MINOR SPOILERS AHEAD*One complaint...the body count is very high, which is not a bad thing. But if the author goes to the well of, "Every encounter someone dies..." the reader becomes numb to it, and it become repetitive. Sometimes, when a minor character is cornered with no way out, its nice to see them survive through some stroke of luck or creative thinking. It keeps the reader in suspense rather than going, "Well, another one is about to bite the lunar dust..."
Dead Moon is a pretty good story that takes place in Peter Clines Threshold universe, but it is not in my opinion Book three of the series that started with 14 and then The Fold. If that is what you are expecting then you will be disappointed.What you will get with Dead Moon is an entertaining eleven and a half hour listen. I liked it, but yes, I was disappointed. It is tied in with the other two books in the way Stephen King will tie his novels to his Dark Tower, or the way Derry and Castle Rock keep popping up in his novels. He should remove the "Threshold #3" and just let the reader discover on their own the tie in. Isn't it fun to find that the novel you are reading is connected in some way to a novel that you previously read? I've always thought so.Lastly I want to point out that Ray Porter did an amazing job with narration, he always does.
Zombies on the moon!That basic, low-level pitch either just sealed the deal for you and you’re ready to click Buy Now, or it made you groan derisively with a reflexive “Dear god, not another freaking zombie book!†Depending on if your instincts followed either the first or the second reaction, there’s probably little more I need to tell you about Dead Moon, an Audible Original written by Peter Clines exclusively for audiobook release by Audible, and narrated by Ray Porter.While I recognize the zombie genre has been pretty well beat to death and shot in the head a few times over, I’m not personally wholly exhausted by these types of books just yet. I think that, like any other story prop that’s a bit worn and decidedly unoriginal, zombie stories can still be used successfully provided the story surrounding them is well executed and I have a reason to care about something other than gruesome deaths and violent mayhem.Although Dead Moon is, at its very basic levels, little more than zombies on the moon for much of its runtime, Clines makes this conceit pretty damn delightful, and Porter, as usual, narrates the hell out of it. Putting a rotting horror staple in outer space is actually pretty brilliant. In real estate, the thing that makes a home the most desirable comes to three things: location, location, location. And it’s just as true here, too. The setting of Earth’s moon gives the story extra layers of tension, which is much needed given our familiarity and expectations of zombie stories and the devices such plots require to be effective. Zombie novels nowadays are a dime a dozen, so to be truly effective an author has to go the extra mile (or, in this case, about 238,900 miles) to make them worthwhile.Dead Moon, in my opinion, is certainly worthwhile. Yes, it’s a pretty trope-ridden affair and if it were set on Earth, like virtually all other zombie books, I doubt I would have appreciated it as much. The setting completely sold Clines’s story for me. Sure, getting torn about by a zombie horde is bad, but suffocating in the cold vacuum of space or experiencing the paralyzing dread of atmospheric decompression as your space suit is assaulted is worse. Much, much worse. Staging a zombie apocalypse on the desolate, arid, airless, low-gravity surface of the moon adds a whole other level of heebie jeebies. In space, nobody can hear you scream, but there’s a hell of a lot of worse ways to die besides becoming a salty snack for the undead.By now, you’re probably wondering how and why there are zombies on the moon. Dead Moon is set a few hundred years in the future, and although mankind has begun to colonize the solar system, religious practices still mandate the burial of corpses. Ransacked by climate change and overpopulation, Earth has run out of space for its dead. When there’s no more room in hell, the dead get sent off to the moon for burial. After a meteor crashes near one of the several lunar habitats, 16 million undead start to rise, which is terrible, no good, very bad news for the moon’s 300 fleshy inhabitants.On the bright side, they at least have the brilliant Ray Porter narrating their gruesome deaths, which is, frankly, something the rest of us can only ever aspire to. Porter delivers his usual wide array of voices, tones, accents, and emotions that turn each character into highly distinguishable, real-life people. The hardest part about reviewing a narrator like Porter is that I ran out of superlatives for the guy a short while back. He’s one of the most engaging readers I’ve had the pleasure of listening to and I haven’t heard him make a single flub in close to a dozen of his audiobooks I’ve listened to thus far. His readings are always top-notch, and he’s a virtuoso performer. He excels at bringing an author’s characters to life, no matter how short-lived such a character may be…and let’s face it, when you’re trapped on the moon and surrounded by millions and millions of zombies, life expectancy isn’t exactly measured in anything but hours and minutes, at best.In a lot of ways, Dead Moon feels like a George A. Romero movie the famed director didn’t live long enough to create (this could just as easily be called Colony of the Dead and if the Romero estate ever wants to adapt this book into film, I’m game to fork over the cash for a ticket.) Peter Clines has gleefully accepted the torch and created here some good, pulpy fun that’s chock full of awful deaths, a handful of characters worth rooting for (like gravediggers Callie and Jake, who are escaping sordid pasts on Earth, with the latter being a former military man), and plenty of others to dislike and root against. Dead Moon doesn’t reinvent the undead wheel, but it is a highly capable zombie story enhanced by its unique setting and some interesting cosmic horror elements that help flesh out the material in lively ways. But, again, it all just boils down to the selling point of its premise. It’s zombies on the moon! You’re either hungry for it, or you’ve already had your fill by now. You’re either going to shamble toward this one, or flee screaming in terror and begging for the madness to stop.Note: Dead Moon is billed as the third book in Peter Clines’s Threshold series. I have not read the prior two installments, and this is, in fact, my first experience with Peter Clines at all. Looking at the synopsis for 14 and The Fold, it sounds like each of these books function well enough as stand-alone reads, and Dead Moon takes place a few hundred years after the last one. I simply don’t know enough about this series as a whole to comment on whatever it is that links them all together or how successfully it’s done, but based on how much I enjoyed Dead Moon, I’m certainly game to check out the prior two titles.
I was excited to see what Peter Clines's next book in the Threshold series was. I really enjoyed 14 and The Fold. As I began seeing reviews for Dead Moon, I was dismayed by negative reviews with references to zombies. I downloaded it to my Audible account and started listening. I finished the audiobook in less than twenty-four hours. The connection between the first two Threshold books and Dead Moon is not revealed until the last third of the book but it is incredibly fun and exciting getting there. The book takes place over two hundred years in the future so the cast of characters is all new. I loved Cali and Jake and the rest of the crew from Osiris Cemetary. The mayor of Luna City reminded me what my 7th-grade teacher said when I gave her my book report on Jaws, "The shark isn't the monster." There are several monsters in this book, including very original zombies. Ray Porter's narration is terrific. He gives distinct voices to the characters. He also conveys the fear, frustration, and humor. Keep in mind that in Dead Moon, the moon itself is trying to kill you, not just the zombies.
Well that was fun. What’s not to love about a book about living and working on the Moon? Or about tourism on the moon? It’s been my dream to travel in space to the moon, or to Mars, so that I can experience the effect of no or low gravity. But then... Peter Clines writes a book about Zombies... On the moon. So, ummmm, let’s rethink my dream of going to the moon.I actually love a good zombie story and this was a good unique premise about the moon’s locals trying to fight zombies while staying alive in a hostile environment. Clines gives us a lot to think about. I especially love his scene where Cali saves Jake from that hostile environment. In fact, as usual, Clines gives us characters we can root for in Cali, Jake, and even Tessa.I really enjoyed this book! The outstanding performance of Ray Porter as narrator gave me Porter withdrawals! I could have listened to my favorite narrator forever! In fact, nothing else is doing it for me, so I may have to go relisten to one of the first 2 Threshold books to get through this audiobook Hangover.
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