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PDF Download Little Book of House Plants and Other Greenery, by Emma Sibley

PDF Download Little Book of House Plants and Other Greenery, by Emma Sibley

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Little Book of House Plants and Other Greenery, by Emma Sibley

Little Book of House Plants and Other Greenery, by Emma Sibley


Little Book of House Plants and Other Greenery, by Emma Sibley


PDF Download Little Book of House Plants and Other Greenery, by Emma Sibley

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Little Book of House Plants and Other Greenery, by Emma Sibley

About the Author

Emma Sibley has had a keen interest in horticulture from a young age and after studying Surface Design at university, her career moved into plants. She took a number of short courses to increase her knowledge and love of all things green. Emma runs a growing start-up business called London Terrariums where she offers workshops, interior displays and private commissions. She has recently opened a shop in Nunhead, London where she sells houseplants and gardening tools. Emma is the author of the much-loved and very Instagrammable The Little Book of Cacti and Other Succulents.

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Product details

Hardcover: 144 pages

Publisher: Quadrille Publishing (August 21, 2018)

Language: English

ISBN-10: 1787131718

ISBN-13: 978-1787131712

Product Dimensions:

6.6 x 0.8 x 7.4 inches

Shipping Weight: 14.4 ounces (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

11 customer reviews

Amazon Best Sellers Rank:

#24,394 in Books (See Top 100 in Books)

This book is little. So there is that. But they do not really introduce you to any new varieties of house plants or add anything helpful to care or placement. Which are the biggest factors in maintaining houseplants. My biggest issue is that they really just took the care label from a plant, put it on a bigger page, and gave us a larger picture. no information about pet interactions. The pictures are trying too hard to lean toward the "art' side, but they would have been better served to think about the content and not pictures.

Great book! I must have a fear of plant lover like me. I have the first version of this book which is about succulents and cactus. No need to buy the first if you’re interested in the second one here but I definitely recommend both!

The book is a nice coffee table book. That’s it I thought it would help me take care of indoor house plants or recommend good ones for certain areas or lighting in your home. It doesn’t do much but show you pretty pics of some plants and how nice they look in that room 🙄 no tips on care

i got this as a little gift for my friend who loves house plants. it looks super cute i might buy one for myself!

Exactly what I wanted- good inteuctions and cute pictures.

Nice book.

I love houseplants but I don't have anywhere with a lot of direct sunlight. Someone recommended this book to me and it did not disappoint. It is very well organized, has great pictures and keeps it simple!

This book has beautiful photography and is pack with helpful and easily digestible information.

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File Size: 556 KB

Print Length: 61 pages

Publisher: NoddysAsianAdventures; 1 edition (November 21, 2014)

Publication Date: November 21, 2014

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00Q0LBAWA

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Amazon Best Sellers Rank:

#2,524,882 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

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Free PDF The Song of Songs: A Biography (Lives of Great Religious Books)

Free PDF The Song of Songs: A Biography (Lives of Great Religious Books)

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The Song of Songs: A Biography (Lives of Great Religious Books)

The Song of Songs: A Biography (Lives of Great Religious Books)


The Song of Songs: A Biography (Lives of Great Religious Books)


Free PDF The Song of Songs: A Biography (Lives of Great Religious Books)

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The Song of Songs: A Biography (Lives of Great Religious Books)

Review

"Pardes offers a beautiful exploration of the adventures of a single biblical book, following the paths it has taken in different contexts and for different purposes."--Naomi Seidman, author of The Marriage Plot: Or, How Jews Fell in Love with Love, and with Literature"Rabbi Akiva called the Song of Songs God's best gift to the Jewish people. In this book, Ilana Pardes explores the sometimes bizarre and always intensely impassioned history of interpretation of the Song. Does it celebrate the erotic desires of a young man and woman? Delineate the love of God for the Jewish people? Or for the church? Or the longing of the mystic soul for union with God? All this and much more. This is not a book only for scholars. The clarity and charm of Pardes's writing make it a book all readers will enjoy."--Alicia Suskin Ostriker, author of For the Love of God: The Bible as an Open Book"Ilana Pardes's erudite and lyrical book is a marvelous entry into the imaginative world of the Song of Songs, beginning with its biblical origins and continuing through the panorama of its interpretive life."--Ronald Hendel, author of The Book of "Genesis": A Biography

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About the Author

Ilana Pardes is the Katharine Cornell Professor of Comparative Literature at the Hebrew University of Jerusalem. She is the author of Countertraditions in the Bible, The Biography of Ancient Israel, Melville's Bibles, and Agnon's Moonstruck Lovers.

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Product details

Series: Lives of Great Religious Books (Book 32)

Hardcover: 288 pages

Publisher: Princeton University Press (August 13, 2019)

Language: English

ISBN-10: 0691146063

ISBN-13: 978-0691146065

Product Dimensions:

4.5 x 7.5 inches

Shipping Weight: 1.7 pounds (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#2,948,752 in Books (See Top 100 in Books)

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Download Naming Nature: The Clash Between Instinct and Science

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Naming Nature: The Clash Between Instinct and Science

Naming Nature: The Clash Between Instinct and Science


Naming Nature: The Clash Between Instinct and Science


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Naming Nature: The Clash Between Instinct and Science

Product details

#detail-bullets .content {

margin: 0.5em 0px 0em 25px !important;

}

Audible Audiobook

Listening Length: 10 hours and 50 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Audible Studios

Audible.com Release Date: September 28, 2010

Whispersync for Voice: Ready

Language: English, English

ASIN: B0044X8196

Amazon Best Sellers Rank:

Although the premise of the book - our instinctual categorization of the world is at odds with scientific reality, and why this matters - is intriguing, Yoon never finds any momentum in her exposition. The first couple chapters begin promisingly enough, and the discussion of Linnaeus is charming and readable. However by the time I reached the midway mark and Yoon was still harping on about our "umwelt," her casual (bordering on the juvenile) style grew irritating. Contrary to being "impossible to put down," I had no desire to continue. Ashame, because I truly enjoy Yoon's NYTimes contributions and was looking forward to this book.

Great insight into the human psyche, and had times that made me laugh out loud. HIGHLY recommend if you are interested in understanding human nature, how we learn and what we are losing with our focus on material goods.

Fascinating stuff, but a bit seemed like it could have been edited better to tighten the whole thing up.

Like another reviewer, I read the piece in the NY Times and enjoyed it enough that I pre-ordered the Kindle edition of this book. I'm very glad I did. As a records and information manager I have experience with a different kind of taxonomy - ordering documents in ways that allow the right information to be found by the right person at the right time - but there are enough similarities to the struggles in ordering and naming living things that I could feel kinship with the various players discussed in this book. The writing style the author uses is elegant and clear. Themes and phrases are repeated multiple times and help each new segment build upon the one before it. What could have been annoying repetition was instead a kind of binder that held all the little pieces of the narrative together from start to finish. I can highly recommend this book to others as just a good read or as a history of how things are named. I enjoyed it for both.

Really loved this book! I am in the Horticulture field, butnot an academic, and an amateur in the area of taxonomy. It heldmy interest, was quite informative and well written.

Our natural affinity for living things is transferred to brands and logos as we become more disconnected from nature itself. Argues for personal bonds with natural things, guided by our instincts.Provides a history of taxonomy from Linnaeus to Phylocodes. Appropriates the term 'umwelt' to describe the way we perceive nature through our senses.

To set the record straight at the start, I am a taxonomist, as well as an ecologist. My specialty is in spiders, of which I've described and named 14 species. I also have some interest in microscopic organisms, especially diatoms. I am quite aware of the problems associated with defining species and also aware that taxonomy is difficult to explain to the layman, and even to some biologists. The world is not organized for our convenience, but it is, I think, of use to at least try to understand what is meant by kingdom, phylum, class, order, species, and populations, even if we decide that some categories are a bit on the fuzzy side. After all evolution has not stopped (even for humans) and thus many species and even higher classifications may seem a bit blurry.It is with this background (and probable biases) that I examined Carol Kaesuk Yoon's new book "Naming Nature: The Clash Between Instinct and Science." I was impressed by the many positive reviews that were listed and saw even more on the book website, including at least one scientist I know. Unfortunately in reading the first part of the book I quickly became uneasy. She has invoked the ethological term "umwelt" to define the natural instinct to name things and believes that the re-reinstatement of "instinctive" classifications for organisms (which make whales fish and cassowaries mammals) would make people appreciate nature more. While I think I see her point, I tend to also think, like Quentin Wheeler in another on-line review of the book, that her suggestion does not really solve the problem. In the early 19th Century a U.S. court ruled that for commercial and tax purposes a whale was a fish. Do we not find it easier to kill a fish than a mammal? Is it possible that using "umwelt" principles animal life would become less valuable? Re-instating misconceptions because species and other taxonomic categories are difficult is, in my mind, not the answer. I am quite happy for local peoples to call their local organisms what they want to call them, but scientific concepts of taxonomy, even if changing radically at times, are important not only to the scientists (as Yoon recognizes), but to our whole species as well. I feel very uneasy about her approach and wonder if she will be upset when a whaler takes one of those dumb "fish."As to her discussion of taxonomy and systematics, I have to admit that like her I was at first a bit put off by cladists, but I have come to think (even noting the difficulties involved in defining shared derived characteristics and the turmoil caused by the results of DNA analysis) cladistics is by far the best game in town. To be fair Yoon does note the utility of the science and resulting phylogenetic trees, but worries that scientists, by not embracing the "umwelt" classifications, are cutting themselves off from a public that simply does not care about such esoteric things. She instead invokes gut feelings. Because of my own personal history I tend to mistrust uninformed gut feelings because I have seen how they can lead one astray. I don't discount them totally, but I prefer to use gut feelings when I have informed myself as much as possible. We do not live in a nice neat perfectly ordered world, but I am suspicious of any philosophy that throws what we do know, even if it is very little, to the wind in favor of a dumbing down.There are, of course, other ways of classifying organisms. We could classify them by ecological association and place horned larks and prairie dogs together, a sort of "spruce-moose" biome classification. We could classify organisms by their edibility (as many native peoples did for obvious reasons) or by whether they were venomous or poisonous, or useful for folk medicine. I doubt that any scientist would be too disturbed by these alternate classifications, as long as it was noted that they did not reflect genetic relatedness.Yoon is right that we need to continue to explore and describe new species (alpha taxonomy), no matter how well we can actually do this. It is possible that I am not correctly understanding her arguments, but some of her ideas are pretty jarring. Her suggestion that an early French classification of snakes, crocodiles and slugs as insects should be taken as a valid concept strikes me as not an example of native "umwelt" but of a really quirky way of interpreting nature. I felt very disturbed upon reading her final paragraph when she describes an orca jumping as "the biggest, blackest, most fantastic fish I'd ever seen under a gorgeous blue sky." I have seen orcas myself in the San Juan Islands and I will wager that their being mammals awed me at least as much as her seeing them as fish!

This is one of the most annoying books I have ever read. The author worked as a research scientist before going into journalism, but throughout the book I felt I was in the company of a non-scientifically trained journalist who had stumbled onto an idea for a book that might raise enough controversy to sell. The vast majority of people, even in countries with high standards of public education, know next to nothing about taxonomy, or naming nature as the book's title has it, and would be totally unaware, and not very interested in finding out, that what we call 'fish' are not an homogenous group in an evolutionary sense. It is my bet that modern taxonomy has had no influence whatsoever on the disconnect that so many people have between their lives and the natural world. The biodiversity crisis is not a result of people's confusion over taxonomy, which is what the author suggests, it is a result of the ever-increasing drive for resources which underpins our economies, our increasing populations and our lifestyles. The lack of rigour shown throughout the book was for me a major source of irritation. A reader lacking taxonomic knowledge would find it confusing, a reader with taxonomic knowledge would find it frustrating.

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Product details

Paperback: 30 pages

Publisher: Independently published (March 23, 2019)

Language: English

ISBN-10: 1091354170

ISBN-13: 978-1091354173

Product Dimensions:

8.5 x 0.1 x 8.5 inches

Shipping Weight: 3.8 ounces (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#996,466 in Books (See Top 100 in Books)

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We Were Liars, by E. Lockhart

We Were Liars, by E. Lockhart


We Were Liars, by E. Lockhart


PDF Download We Were Liars, by E. Lockhart

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We Were Liars, by E. Lockhart

Amazon.com Review

An Amazon Best Young Adult Book of the Month, May 2014: E. Lockhart’s novel, We Were Liars, is clever, alluring, and wildly addictive. Each summer the wealthy, seemingly perfect, members of the Sinclair family gather on their private island. We Were Liars is the story of those annual reunions; in particular what happened during a summer that protagonist Cadence is unable to remember. Prejudice, greed, and shifting patriarchal favoritism among the three adult sisters contrasts with the camaraderie and worldview of the teenage cousins and their dear friend Gat. Lazy days of sticky lemonades on the roof and marathon Scrabble games give way to twisty suspense, true love, and good intentions gone horribly wrong. We Were Liars is a story that begs to be read in one sitting. --Seira Wilson

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From School Library Journal

Gr 9 Up—Cadence Sinclair Easton comes from an old-money family, headed by a patriarch who owns a private island off of Cape Cod. Each summer, the extended family gathers at the various houses on the island, and Cadence, her cousins Johnny and Mirren, and friend Gat (the four "Liars"), have been inseparable since age eight. During their fifteenth summer however, Cadence suffers a mysterious accident. She spends the next two years—and the course of the book—in a haze of amnesia, debilitating migraines, and painkillers, trying to piece together just what happened. Lockhart writes in a somewhat sparse style filled with metaphor and jumps from past to present and back again—rather fitting for a main character struggling with a sudden and unexplainable life change. The story, while lightly touching on issues of class and race, more fully focuses on dysfunctional family drama, a heart-wrenching romance between Cadence and Gat, and, ultimately, the suspense of what happened during that fateful summer. The ending is a stunner that will haunt readers for a long time to come.—Jenny Berggren, formerly at New York Public Library

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Product details

Age Range: 12 and up

Grade Level: 7 - 9

Lexile Measure: HL600L (What's this?)

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Hardcover: 256 pages

Publisher: Delacorte Press; First Edition edition (May 13, 2014)

Language: English

ISBN-10: 9780385741262

ISBN-13: 978-0385741262

ASIN: 038574126X

Product Dimensions:

5.9 x 0.9 x 8.6 inches

Shipping Weight: 9.9 ounces (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

3,061 customer reviews

Amazon Best Sellers Rank:

#21,145 in Books (See Top 100 in Books)

This review originally appeared on herestohappyendings.com.I've heard so many mixed reviews about We Were Liars over the years, but I hadn't read it, and I'm not sure why. It's weird, because it seems like most readers either love it or hate it - there aren't too many who seem to be in the middle. When I heard that the deluxe edition of the book was coming out, I figured I probably should get around to it already, because pretty much every other blogger and YA book fan I know has already read this one.So I read it. It was a pretty quick read, and I read it all in one night - I started it like at 11 at night and finished it around 2 am I guess. While the overall story wasn't bad, I wasn't blown away by anything and I kind of felt it was lackluster, and for the most part I was left with more questions than I had before I even started the book.In We Were Liars, we have four privileged and spoiled kids who spend their summers on a private island together. The four of them are pretty good friends, as well as cousins - all except for Gat. These kids have the whole island to swim, hang out, go to dinners - pretty much anything they want - all while spending the summers with their families and grandfather, who more or less owns the entire island.But the kids in the Sinclair family, as well as Gat, have secrets - and they aren't pretty secrets. They've done things that they aren't proud of. Things that have some serious repercussions. In fact, the adults on the island have taken to calling them "The Liars."During the stuff that's going on with the kids, the adults have their own things to worry about - including who gets the homes on the island, who gets what in terms of money - all of that jazz. Since their grandfather is getting older, he is trying to remodel and make sure that the homes go to the right children in the family.I don't mean to be vague when I talk about this book, but I really don't want to give away any hints or anything that could make the story less enjoyable for those who haven't yet read it (although I doubt that there are too many!). It does have it's moments where I think it's a great and creative story, and I do so love reading about spoiled rich kids (guilty pleasure when it comes to reading!), so for the most part, I did enjoy it.But there was so much here that I am going to be picky about - things that I didn't enjoy. For one, the characters weren't very fleshed out and I feel like they weren't very memorable - in fact, I honestly can't remember their names or who each was in the family. I can only remember Gat because he wasn't actually part of the family, but he was the son of the guy that one of the adults wanted to marry, but wouldn't because she was afraid her grandfather would disinherit her.Also, that twist of an ending was clever, but I honestly saw it coming, and can't say that it made much sense, especially if you go back into the book and think about things. It made everything even more confusing instead of answering any questions that I had. It did tie the original story together, though, but some of the details bothered me, and I won't even get into them because this is supposed to be a spoiler free review.I did love the whole idea behind the family spending time on the private island, though - it really makes this the perfect book for summer, as that's when it takes place - over the course of a summer and through memories of past summers. It made for the perfect read for a beach trip or vacation.As far as the deluxe edition material went, I loved the hand drawn map of the island, and the family tree was a great addition - I found myself looking at both of these while reading the book, and it helped me paint a better picture of what was going on where and which characters were related and how. These were awesome additions to the book. Also, the author material in the back was interesting as well, and it added a bit to the reading experience. I definitely have to recommend picking up the deluxe edition of the book for these things alone - they really do enrich the reading experience and they're pretty nifty.I wish I could have absolutely loved this book, but I just didn't - I did like it, just not enough to praise it as much as some others who have really enjoyed the book. It was definitely interesting, and I'll probably end up reading it again, but I just wasn't able to really connect with it as much as I would have liked to have been able to.Note: I received a copy of this book from the publisher in exchange for an honest review - Thank you!

The first 70% of this book was enticing, which is why I gave it 3 stars. The narrative made it easy to read. I didn't find the romance silly, overdone or corny because it is a young adult (YA) read and love feels so real with adolescent hormones. But then came the plot twist around 80% in and the rest of the book is mourning, mourning, mourning, guilt and more mourning. I rushed to the end, looking forward to the story being over. I grew up around the 1% so that part of the story development is realistic. But overall, I wouldn't recommend this book for adults, unlike some of the reviews. It is quite a let down.

"She confused wit with intelligence, and made people laugh rather than lightening their hearts or making them think."This book fit my mood *perfectly*. It was dramatic and a little twisted, but also reminded me of the beach.The story follows the wealthy Sinclair family who owns a private island near Martha's Vineyard where they spend summer every year. The self-named Liars are three cousins and one outsider, all around the same age, who become best friends and allies. There's romance, interesting social commentary, and CRAZY family dynamics.I loved the lyrical, almost poetic, style of writing. It's clear from the beginning that the narrator Cadence isn't to be trusted, and it was so entertaining reading her parsed memories and piecing the full story together.My only complaint is that I called The Big Twist early on. I wish there had been a greater air of mystery surrounding it, or that it could've been even more subtle.But overall, this was an engrossing and enjoyable read. I recommend for fans of contemporary YA who are looking for something a little bit different to try, or for those who thoroughly enjoyed Franny Billingsley's Chime.

The description of the book will tell you what it's all about, so I'll skip that and get to what I thought about it. The writing is good--poetic, but not pretentious. If the editor hasn't done his or her job, I tend to do it in my head while I'm reading, but I didn't need to here. Lockhart's prose is clear, consistent, and vivid. The narrator's voice is believable, fresh, and likable.This is the sort of book that could be spoiled VERY easily, so I won't say too much about it. I will say that I'll be turning 40 soon, but I enjoyed reading the book. I also teach middle and high school English classes and am always looking for books to recommend to students, and I would definitely recommend this one. Students should be able to relate to the issues of friendship, family conflict, and new love. The book also deals with issues of class and race. If I were to read this as a class, I could definitely see us getting into some really interesting discussions about the actions of the characters.With all that said, why did I only give it 4 stars? It felt like something was missing from the ending. The surprise is quite significant, but things seem to be glossed over. I'd like to have seen some more...well, I don't want to say or I'd give away the ending.Anyway, I plan on reading more of E. Lockhart's books. I think she's a talented writer who will be a go-to recommendation for my students from now on.

Unfortunately, I hated this book. I felt like it was so predictable, the plot was bland, and I found almost all of the characters unlikeable and undeveloped. On top of that, I hated the writing style. Lastly, it was a lot of buildup for a quick ending that was unsatisfying anyway.

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Free Ebook Rosencrantz and Guildenstern Are Dead, by Tom Stoppard

Free Ebook Rosencrantz and Guildenstern Are Dead, by Tom Stoppard

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Rosencrantz and Guildenstern Are Dead, by Tom Stoppard

Rosencrantz and Guildenstern Are Dead, by Tom Stoppard


Rosencrantz and Guildenstern Are Dead, by Tom Stoppard


Free Ebook Rosencrantz and Guildenstern Are Dead, by Tom Stoppard

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Rosencrantz and Guildenstern Are Dead, by Tom Stoppard

Review

Praise for Rosencrantz and Guildenstern Are Dead: “A masterpiece, not unlike Shakespeare’s plays; it’s artfully, imaginatively written, multidimensional, and hilarious.”―New Yorker “Rosencrantz and Guildenstern are Dead . . . has proved its sturdiness and power to endure . . . It is, after all, the most performed, most studied, most earnestly analyzed and strenuously anatomized of all Mr. Stoppard’s plays: the foundation of his international career and the inevitable starting point for anyone wanting to appreciate him.”―Benedict Nightingale, New York Times “A coruscatingly brilliant, endlessly thought-provoking masterpiece.”―Wall Street Journal “In making Rosencrantz and Guildenstern . . . Stoppard mixed the poetic melodrama of Shakespeare with the doom-laden minimalism of Samuel Beckett and topped it with the slapstick of the Marx Brothers.”―Rolling Stone “Very funny. Very brilliant. Very chilling. It has the dust of thought about it and the particles glitter excitingly in the theatrical air . . . This is a most remarkable and thrilling play. In one bound Mr. Stoppard is asking to be considered as among the finest English-speaking writers of our stage, for this is a work of fascinating distinction.”―Clive Barnes, New York Times “Astonishing ― a youthful prank bursting with theatrical mischief and literary flair.”―Washington Post “A tour de force . . . Fascinating . . . A triumph.”―Roger Ebert “Tom Stoppard’s lively twist on Hamlet . . . [A] metapharcical romp . . . Stoppard’s philosophizing playfulness is clearly indebted to the music hall absurdism of Waiting for Godot . . . Stoppard’s fertile wit keeps this three-act drama pulsing along . . . A subtle pathos, along with the playwright’s verbal sophistication, prevents the play from degenerating into a collegiate vaudeville . . . The language remains spry . . . It attains a comic lyricism that’s as funny as it is piercing.”―Charles McNulty, Los Angeles Times “Full of philosophizing, nuances and complexities . . . [An] absurdist tragi-comedy . . . Stoppard’s . . . writing is pristine.”―Charlotte Observer “Like Beckett, Stoppard shows two figures struggling to find identity and purpose in a world that makes little sense . . . Stoppard is always praised for his intellectual ingenuity: far more important is how, even in his late 20s, he was obsessed with human transience.”―Guardian “After the first night of Rosencrantz and Guildenstern Are Dead at the National Theatre in 1967, Tom Stoppard awoke and found himself famous. It’s still a delightful shock, every few years, to be reminded how brilliant and engaging this play remains.”―Independent (UK) “Stoppard’s too-clever-for-words little skit in the vicinity of Hamlet . . . This is absurdism 101 with a cultivated Oxbridge edge and an echo chamber of quotations and scattered emotional reverberations from the greatest enigma of a play ever written . . . A brilliant calling card.”―Sydney Morning Herald “Rosencrantz and Guildenstern Are Dead feels as fresh and inventive as it must have fifty years ago when it premiered at the Edinburgh Fringe Festival and catapulted Tom Stoppard to an international career that continues today. [An] occasionally baffling, always hilarious play.”―Talkin’ Broadway “[A] brilliant play.”―Philadelphia Inquirer “Stoppard’s intellectual word games and bits of comic business are exhilaratingly clever while Rosencrantz and Guildenstern’s antics as they stumble in and out of Hamlet make them part Abbott and Costello, part Laurel and Hardy, part Olsen and Johnson, and part Vladimir and Estragon . . . Invigorating brilliance . . . A literate and thought-provoking celebration of the spoken word.”―TV Guide “Tom Stoppard’s . . . meta-theater masterpiece.”―A.V. Club “[A] funny play . . . Stoppard wittily plucked two minor characters from Hamlet and created a dazzlingly wordy and deliberately confounding play . . . Although R & G is among the earliest of Stoppard plays, it has all the comic ingenuity and intellectual razzle-dazzle that has become his signature.”―Curtain Up “Rosencrantz and Guildenstern Are Dead . . . [is] now a solid part of the Stoppard canon, and . . . it’s a treat . . . The two men become vehicles for Stoppard’s non-stop wit with words, flow of ideas and diddling with logic . . . As always, Stoppard’s cerebral work will leave some people energized by its storm of ideas.”―NewsWorks “Intimate, funny and anachronistically atmospheric . . . Without doubt, the play resides within the traditions of the Theatre of the Absurd . . . Stoppard makes it so entertainingly witty, fun and ultimately affecting, you will hardly notice you have been being existential . . . A testament to Stoppard . . . Medieval yet modern, silly yet existential, and all around thoroughly entertaining.”―Metro Weekly “This monumental and hugely successful play is a highly entertaining mind gym in which Stoppard uses a complex yet fluid dialogue between Rosencrantz and Guildenstern . . . to effortlessly explore the nature of our elusive and all-too-temporal existence.”―Limelight Magazine (Australia) “A classic of absurdist comedy . . . Mr. Stoppard has fun upending expectations . . . [A] seriously amusing romp.”―CentralJersey.com

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About the Author

Tom Stoppard was born "Tomás Straüssler" in Zlin, Czechoslovakia in 1937 and moved to England with his family in 1946. Catapulted into the front ranks of modern playwrights overnight when Rosencrantz and Guildenstern Are Dead opened in London in 1967, he has become recognized as a contemporary comic master, the brilliantly acclaimed author of The Real Inspector Hound, Enter a Free Man, Albert's Bridge, After Magritte, Travesties, Dirty Linen, Jumpers, New-Found-Land, Night and Day, The Real Thing, Hapgood, Artist Descending a Staircase, Every Good Boy Deserves Favor, Arcadia, The Invention of Love, The Coast of Utopia (Voyage, Shipwreck, and Salvage), and Rock 'n' Roll. He has also written a number of screenplays, including The Romantic Englishwoman, Despair, and Brazil. In 2017, he was awarded the David Cohen Prize for a lifetime's achievement in literature.

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Product details

Paperback: 128 pages

Publisher: Grove Press; Reprint edition (1994)

Language: English

ISBN-10: 0802132758

ISBN-13: 978-0802132758

Product Dimensions:

5.5 x 0.5 x 8.2 inches

Shipping Weight: 4 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

186 customer reviews

Amazon Best Sellers Rank:

#292,175 in Books (See Top 100 in Books)

Just one of my favorite lines from this fine play is "What a fine persectution--to be kept intrigued without ever being enlightened." That is the predicament of two bit players in the grand pageant that is Shakespeare's Hamlet. They know little about their childhood friend and less about court intrigues. They are we, and we are they. Like Rosencrantz, we observe closely and infer. Like Guildenstern, we trust that reason and precedent will deliver truth. For these poor fellows, neither experience nor reason enlightens and they end with a whimper, not a bang. The play is--well, playful. Stoppard plays with language, belief, classic characters, life and death. Read it aloud. Read it to yourself. Reread Hamlet, then read Stoppard's play again. Keep a copy near and dip into it in idle moments. It will delight and inform.

Rosencrantz and Guildenstern show us the problem with free will is that humans are potentially completely reactionary, despite our attempts not to be. The theater of the absurd dramatizes the problem of free-will as a ridiculous concept. In Stoppard’s play the best parts were the futility of Rosencrantz and Guildenstern on the boat wondering what happens once they get to England. In our everyday lives we act the same way toward upcoming events, and while many of us just reassure ourselves with assumptions on what we will do, in reality we have no idea. That is because in a given situation we are forced to interact with what is thrown at us. Even the ultimate sign of free-will, reading self-help books, is spurred by personal failures caused by the situations thrown at us. Rosencrantz and Guildenstern get “self-help” from the player, but as Stoppard points out, all of us are on the same boat. The difference is that some of us are willing to make more assumptions and cling to values than others. Meanwhile, Rosencrantz and Guildenstern refuse to do such a thing.

I love this play, such a wonderful piece of work, masterfully written, so funny, very creative to see how the author took what most thought to be flat unimportant characters from Shakespeare HAMLET and gave them life. LOVE THIS PLAY

R+G was a challenge for me to understand. I'm glad I also got the Sparknotes Guide and the blue ray movie! I already am feeling rewarded.

From the uncomparable genius of Tom Stoppard comes a quotable masterpiece about two friends lost in someone else's story. While the rest of Shakespeare's characters remain true to their original script, Ros and Guil step out of the box to explore a variety of topics ranging from the metaphysical to the downright comical. As the title suggests, the story is, ultimately, a tradegy -- but as the reader gets to know the two stars, it becomes a tragedy on multiple levels. One feels that their deaths are preordained, and even the moments of sidesplitting hilarity are laced with the bittersweet knowledge that it WILL end. The story is made still more touching as the characters' early realization of their fate battles with their unquenchable hope. Stoppard has captured in Rosencrantz and Guildenstern a sense of innocence that endures despite the chaos around them in a world where it seems even the laws of physics have suddenly ceased to apply. A perfect mixture of comedy and tragedy with a philosophical overtone attainable only by Stoppard, this is a play you will want to read, re-read, and act out with your friends in daily conversations.

If you are going to a revival of this play, read this first. It's brilliant, but VERY talky. Also read Hamlet, to see the brilliance of Stopped's work

i never remember if I cut my toe nails more often or my finger nails... let's flip a coin

It's like a funny little side story of two characters from Hamlet.

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